Skip to content
Nate Eckler Maritime Thrillers
The Work

The Walker Shaw Novels

Maritime crime where the Mississippi meets the Gulf—cutters, towboats, shipyards, barges, and the people who keep America’s working waterfront moving.

Cover art for the novel Vigilant: a Coast Guard cutter driving through a night storm, two submarines surfacing ahead of her, a red flare falling overhead
Complete manuscript Walker Shaw · Book 1

Vigilant

A rescue at sea costs Captain Walker Shaw his command. It also uncovers a trafficking network built on one certainty: the Coast Guard will always choose lives over contraband.

Cover art for the novel Confluence: a towboat pushing barges up a lit industrial river at night, cranes and a lift bridge beyond
In developmentWorking title Walker Shaw · Book 2

Confluence

Walker Shaw knows taking down a shipment is far easier than dismantling the system that carried it. Along New Orleans's industrial waterfront, the most dangerous empires are built with infrastructure.

Two novels, one continuing character, and one stretch of working water.

Walker Shaw is a Coast Guard captain on the Gulf Coast and the lower Mississippi, where grain barges, chemical tows, shipyards and offshore supply boats all share the same channel. The crimes in these books are not set against that background. They come out of it. Cargo moves, paperwork follows, and the gap between the two is where the trouble starts.

What connects the books is one hard fact the antagonists understand better than anyone: the Coast Guard will always choose lives over contraband. Both novels turn on people who have learned to price that certainty in.

Vigilant comes first—a maritime crime novel, and a complete manuscript. Shaw loses his command in it. Confluence is in development and follows him along the New Orleans industrial waterfront, where the dangerous empires are built out of infrastructure rather than muscle.

The detail comes from forty years on the water across three coasts. The boats, the weather and the procedure are right, because getting them wrong is the fastest way to lose a reader who has been there.